[PDF.13qe] Reading Opera between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg (New Perspectives in Music History and Criticism)
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Reading Opera between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg (New Perspectives in Music History and Criticism)
Christopher Morris
[PDF.ho85] Reading Opera between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg (New Perspectives in Music History and Criticism)
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| #7525904 in Books | Cambridge University Press | 2002-05-20 | Original language:English | PDF # 1 | 8.98 x.67 x5.98l,1.00 | File type: PDF | 232 pages | |||"Reading Opera between the Lines raises important and intriguing questions that should be of interest to any scholars and music lovers concerned with the cultural significance of orchestral music in opera." The Opera Quarterly
"Morris's thoughtful
A characteristic feature of Wagnerian and post-Wagnerian opera is the tendency to link scenes with numerous and often surprisingly lengthy orchestral interludes, frequently performed with the curtain closed. Often taken for granted or treated as a filler by audiences and critics, these interludes can take on very prominent roles, representing dream sequences, journeys and sexual encounters. Combining studies of individual musical texts with an investigation of the critic...
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