[PDF.84gp] Orientalism and the Continuation of the English Oratorio: Representation in William Walton's Belshazzar's Feast

Orientalism and the Continuation of the English Oratorio: Representation in William Walton's Belshazzar's Feast

[PDF.ce22] Orientalism and the Continuation of the English Oratorio: Representation in William Walton's Belshazzar's Feast

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 | #14068601 in Books |  2011-05-31 | Original language:English | PDF # 1 |  8.66 x.22 x5.91l,.33 | File type: PDF | 96 pages

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||About the Author|Elissa Keck holds a Bachelor of Music degree in Music Theory from Carson-Newman College in Jefferson City, TN and a Master of Music degree in Musicology from The University of Tennessee, Knoxville. She is currently teaching as an Adjunct Profess

Orientalist analyses in music exploded the field of musicology in the 1980s and 90s. However, examination of Orientalism in sacred genres remains lacking. In this study, Elissa Keck investigates aspects of Orientalism within the English oratorio genre, specifically William Walton's Belshazzar's Feast (1931). Keck argues that this oratorio reflects Orientalist ideologies through binary opposition that perpetuate the predominantly negative stereotypes of the Middle East. E...

You can specify the type of files you want, for your device.Orientalism and the Continuation of the English Oratorio: Representation in William Walton's Belshazzar's Feast   |  Elissa Keck. A good, fresh read, highly recommended.

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