[PDF.89zf] Music as Philosophy: Adorno and Beethoven's Late Style (Musical Meaning and Interpretation)

Music as Philosophy: Adorno and Beethoven's Late Style (Musical Meaning and Interpretation)

[PDF.pr59] Music as Philosophy: Adorno and Beethoven's Late Style (Musical Meaning and Interpretation)

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 | #1930353 in Books |  2006-06-14 |  2006-06-14 | Ingredients: Example Ingredients | Original language:English | PDF # 1 |  9.25 x1.25 x6.12l,1.72 | File type: PDF | 392 pages

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||10 of 13 people found the following review helpful.| Stimulating - Rigorous|By Z. M. Ridgway|Author Michael Spitzer develops Adorno's terminology into an extraordinarily supple conceptual vocabulary for describing, analyzing, and interpreting Beethoven's profoundly ambiguous late works. Spitzer draws on seminal works by musicologists Charles Rosen, Mark Evan Bonds, and Karl Dahlhaus - largely following in their footsteps, but| ||"[T]he aim of Michael Spitzer’s new book is to explore Beethoven’s late style. To this end, he conceives a theory of musical style, one that draws upon topics and issues related to the study of musical meaning, and he frames this theory by means o

Beethoven's late style is the language of his ninth symphony, the Missa Solemnis, the last piano sonatas and string quartets, the Diabelli Variations, the Bagatelles, as well as five piano sonatas, five string quartets, and several smaller piano works. Historically, these works are seen as forging a bridge between the Classical and Romantic traditions: in terms of their musical structure, they continue to be regarded as revolutionary.

Spitzer's book examines the...

You easily download any file type for your device.Music as Philosophy: Adorno and Beethoven's Late Style (Musical Meaning and Interpretation)   |  Michael Spitzer. A good, fresh read, highly recommended.

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