[PDF.93ps] Figured Harmony at the Keyboard: Part II (Pt. 2)

Figured Harmony at the Keyboard: Part II (Pt. 2)

[PDF.fs28] Figured Harmony at the Keyboard: Part II (Pt. 2)

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 | #1697759 in Books |  Oxford University Press |  1968-12-31 | Original language:English | PDF # 1 |  .10 x5.26 x10.86l,.25 | File type: PDF | 32 pages

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||6 of 6 people found the following review helpful.| This is a terrible text.|By Valencio Jackson Jr.|Terrible musical excerpts. There is such a large body of early music that could have been authentically used for these examples. It is much more effective and accurate if you "don't listen to what you are playing." The voice leading is at times not intuitive, and the explanations heading each section are lacking in clarity and d|About the Author|Reginald Owen Morris was a British composer and teacher. He was born in York and was educated at Harrow School, New College, Oxford and the Royal College of Music in London, where he subsequently became professor of counterpoint and composition

This book presents figured harmony as a form of aural training. It seeks to make the student more keenly aware of chord-relationships as actual sound. It will increase the student's power to form an inward realization of what a page of music is going to sound like without having actually heard it.

You can specify the type of files you want, for your device.Figured Harmony at the Keyboard: Part II (Pt. 2)   |  R.O. Morris. Just read it with an open mind because none of us really know.

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