[PDF.66ha] Allegorical Play in the Old French Motet: The Sacred and the Profane in Thirteenth-Century Polyphony (Figurae: Reading Medieval Culture)
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Allegorical Play in the Old French Motet: The Sacred and the Profane in Thirteenth-Century Polyphony (Figurae: Reading Medieval Culture)
Sylvia Huot
[PDF.hp23] Allegorical Play in the Old French Motet: The Sacred and the Profane in Thirteenth-Century Polyphony (Figurae: Reading Medieval Culture)
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| #4011835 in Books | 1997-05-01 | Original language:English | PDF # 1 | 9.50 x6.50 x1.00l,.0 | File type: PDF | 248 pages||From the Inside Flap|
The motet began as a form of sacred vocal music in several parts; a cantus firmus or tenor, drawn from sacred Latin chant, served as a foundation for one or more upper voices. The French motet was a well-established form by the middle o
The motet began as a form of sacred vocal music in several parts; a cantus firmus or tenor, drawn from sacred Latin chant, served as a foundation for one or more upper voices. The French motet was a well-established form by the middle of the thirteenth century, as were bilingual motets that combined at least one French and one Latin text among the upper voices. Though some attention is paid to melodic structure and the relationship between text and music, this book focus...
You can specify the type of files you want, for your device.Allegorical Play in the Old French Motet: The Sacred and the Profane in Thirteenth-Century Polyphony (Figurae: Reading Medieval Culture) | Sylvia Huot.Not only was the story interesting, engaging and relatable, it also teaches lessons.